عرفان در شعر سهراب سپهری

Looking for the mystic viewpoint or the mystic approach in the poems of Sohrab Sepehri is the aim of this paper. For achieving such purpose on the one hand the conscious stream of his thoughts and poems and the qualification and conventions governing on mystic poems noting the criteria of mysticism, on the other hand, will be investigated. Thus we can conclude that Sepehri’s power in inspring poems, his poetic ability in the description of the nature and the sorrounding objects and elements is unbelievable and undeniable. Nothing the investigation into his poems - from the first to the last one – one can find out that his mystic approach is more apparent in his later poems. We can clearly abserve the application of terms used in Budhism, Molari’s shams collection in a parallel way with Hafez’s mystic approach. We can see also the attention to the Islamic mysticism and the theological feeling of him.